 Artist: Lovedrug: mp3 download Genre(s): Other Discography:  Pretend You're Alive Year: 2004 Tracks: 13 Canton, OH-based rock band Lovedrug, lED by singer/guitarist Michael Shepard, has shared out the stage with artists as divers as the Killers, Robert Plant, Switchfoot, Sam Phillips, Creeper Lagoon, Eisley, and Matchbook Romance. Since forming in June 2002, the band has seen various lineup changes, which included Matthew Putman (Ester Drang, Unwed Sailor) on drums. Quickly later forming, Lovedrug recorded a five-song EP, followed by the Rocknroll EP in summertime 2003. After interest from diverse labels, the stripe settled with The Militia Group, which issued Pretend You're Alive in 2004. The record record album sold well and the group supported it over the following twelvemonth on tours with the Juliana Theory and Copeland. Upstreamed to Columbia Records, subsequent hullabaloo among key tag figures caused Lovedrug to in the end get itself released from its squeeze and indorse to Militia. The band's sophomore album, Everything Starts Where It Ends, appeared in early 2007 and it cracked into the Billboard Top two hundred. |
Monday, 8 September 2008
Download Lovedrug mp3
Friday, 29 August 2008
Download Larry Young mp3
 Artist: Larry Young: mp3 download Genre(s): Jazz Discography:  Of Love and Peace Year: 2004 Tracks: 1  Mother Ship Year: 2003 Tracks: 1 If Jimmy Smith was "the Charlie Parker of the organ," Larry Young was its John Coltrane. One of the shattering innovators of the mid to recent '60s, Young fashioned a classifiable modal approach to the Hammond B-3 at a clip when Smith's earthy, blues-drenched soul-jazz stylus was the instrument's dominant voice. Initially, Young was very much a Smith champion himself. After playing with versatile R&B bands in the fifties and organism featured as a sideman with tenor saxman Jimmy Forrest in 1960, Young debuted as a leader that class with Testifying, which, like his subsequent soul-jazz efforts for Prestige, Danton True Young Blues (1960), and Groove Street, (1962), left no doubt that Smith was his elementary inspiration. But when Young went to Blue Note in 1964, he was well on his way to becoming a major groundbreaker. Coltrane's post-bop influence asserted itself more than and more in Young's playing and composing, and his fashion grew practically more than cerebral and explorative. I, recorded in 1965, cadaver his best-known album. Quick to embracement fusion, Young played with Miles Davis in 1969, John McLaughlin in 1970, and Tony Williams' groundbreaking ceremony Lifetime in the early '70s. Unfortunately, his ferment off mismatched and temperamental as the '70s progressed. Young was only 38 when, in 1978, he checked into the hospital hurt from stomach striving, and died from untreated pneumonia. The Hammond hero's ferment for Blue Note (as both a lottery card and a sideman) was joined for Mosaic's limited version six-CD box determine The Complete Blue Note Recordings. |
Tuesday, 19 August 2008
Mp3 music: Musiq Soulchild
 Artist: Musiq Soulchild: mp3 download Genre(s): Rap: Hip-Hop Musiq Soulchild's discography:  Luvanmusiq Year: 2007 Tracks: 12 Philadelphia-born Taalib Johnson, aka burgeoning R&B artist Musiq (Soulchild), grew up the oldest of nine-spot children and did non destination high school. Musiq, whose influences let in James Brown, Patti LaBelle, Billie Holiday, and Sly & the Family Stone, participated in Philadelphia's open mic scene in his early teens. The boy of a diehard '70s soul music winnow, Musiq performed at Philly showcases like the Five Spot and Wilhemina's until his management squad, Mama's Boys (St. Jerome Hipps and Michael McArthur), brought him to Def Jam Records' attention. Musiq's debut record album, 2000's Aijuswanaseing, was recorded more often than not at the Touch of Jazz Studios in Philadelphia. Musiq's showtime single, "Just Friends (Sunny)," appeared on the soundtrack to Nutlike Professor II: The Klumps, and iI age later Musiq released his second gear mechanism record album, the spiritual and personal Juslisen, which debuted at issue i on the Billboard R&B/hip-hop charts. The following year brought the widely-acclaimed Soulstar, and in 2007, afterward moving to Atlantic, Musiq released the more mature Luvanmusiq. |
Saturday, 9 August 2008
Ionic Vision
Artist: Ionic Vision
Genre(s):
Electronic
Industrial
Discography:
In Between
Year: 2003
Tracks: 6
NeuMaschinen
Year: 2002
Tracks: 18
Tuesday, 1 July 2008
REVIEW: WALL-E (U)
WALL-E (Waste Allocation Load Lifter – Earth Class) is the last robot left on earth, and his job is to gather up trash and compact it into cubes; he’s built a whole city out of the centuries of crap that the humans left behind.
WALL-E may have got a little bit human and a tad eccentric over the years - he collects the odd things he finds (Rubik’s cubes, nodding dogs, rubber ducks) - and despite having a chirpy cockroach for company, he’s a little lonely. His guilty pleasure at the end of the day is to watch 60’s musical Hello, Dolly! over and over again.
One day his work is interrupted when a huge spaceship lands and releases a bullet-shaped white robot. WALL-E falls head over heels in love, and whilst EVE is amused by him, she isn’t very interested in his collection of rubbish - until he shows her his very latest find; a tiny plant.
On seeing this, Eve beams it into her storage space and powers down, for she is an Extra-Terrestrial Vegetation Evaluator. Nothing WALL-E can do will spark her back to life and when the spaceship returns for EVE, the lovesick WALL-E grabs on for the ride as they speed towards the space cruiser 'Axiom', the home for humans since they left earth. Now entirely dependent on robots and doing nothing but eating, buying stuff and watching TV, humans have evolved into fatties.
The adventure really begins when WALL-E sneaks on board; what does the Captain (Jeff Garlin) want with the plant? Will WALL-E ever get back to earth, can he make EVE hold his hand (or should that be grab his grabber?) and can this futuristic pair and their malfunctioning friends save the day?
Pixar movies are pretty much the gold standard for animation films today, and WALL-E does not disappoint. Coming from the same writer/director who bought us other gems such as Finding Nemo, Toy Story and Monsters, Inc, WALL-E may actually be at the top of that heap, and maybe second only to (Pixar’s) The Incredibles in recent memory.
It’s the excellent storytelling aspect of WALL-E that helps it hit such heights; the script is tight as a drum, the jokes are well observed and witty, and they come at a regular pace.
Not only that, the premise of a ruined world and lazy humans obsessed by consuming of all kinds is one of the starkest examples of social commentary – without ever feeling shoehorned-in – that I’ve seen in any movie; who would have thought it?
It’s a charming and touching story too; both EVE and WALL-E (who is part 'Number 5' from Short Circuit with a dash of E.T. and even a touch of meerkat) held the audience’s hearts and minds throughout; not bad for characters that only say a few words! Kudos to the voices behind them (Ben Burnit and Elissa Knight, respectively). Also, the choice of Hello, Dolly! (starring the UK’s very own Frank Spencer-turned-musical-star Michael Crawford) was almost genius; its effect on WALL-E (and us) is surprisingly effective.
At around 100 minutes long it’s just about perfect (as opposed to the bloated Potter/Narnia epics) and it’s a real treat for both adults and kids. Hugely enjoyable!
WALL-E may have got a little bit human and a tad eccentric over the years - he collects the odd things he finds (Rubik’s cubes, nodding dogs, rubber ducks) - and despite having a chirpy cockroach for company, he’s a little lonely. His guilty pleasure at the end of the day is to watch 60’s musical Hello, Dolly! over and over again.
One day his work is interrupted when a huge spaceship lands and releases a bullet-shaped white robot. WALL-E falls head over heels in love, and whilst EVE is amused by him, she isn’t very interested in his collection of rubbish - until he shows her his very latest find; a tiny plant.
On seeing this, Eve beams it into her storage space and powers down, for she is an Extra-Terrestrial Vegetation Evaluator. Nothing WALL-E can do will spark her back to life and when the spaceship returns for EVE, the lovesick WALL-E grabs on for the ride as they speed towards the space cruiser 'Axiom', the home for humans since they left earth. Now entirely dependent on robots and doing nothing but eating, buying stuff and watching TV, humans have evolved into fatties.
The adventure really begins when WALL-E sneaks on board; what does the Captain (Jeff Garlin) want with the plant? Will WALL-E ever get back to earth, can he make EVE hold his hand (or should that be grab his grabber?) and can this futuristic pair and their malfunctioning friends save the day?
Pixar movies are pretty much the gold standard for animation films today, and WALL-E does not disappoint. Coming from the same writer/director who bought us other gems such as Finding Nemo, Toy Story and Monsters, Inc, WALL-E may actually be at the top of that heap, and maybe second only to (Pixar’s) The Incredibles in recent memory.
It’s the excellent storytelling aspect of WALL-E that helps it hit such heights; the script is tight as a drum, the jokes are well observed and witty, and they come at a regular pace.
Not only that, the premise of a ruined world and lazy humans obsessed by consuming of all kinds is one of the starkest examples of social commentary – without ever feeling shoehorned-in – that I’ve seen in any movie; who would have thought it?
It’s a charming and touching story too; both EVE and WALL-E (who is part 'Number 5' from Short Circuit with a dash of E.T. and even a touch of meerkat) held the audience’s hearts and minds throughout; not bad for characters that only say a few words! Kudos to the voices behind them (Ben Burnit and Elissa Knight, respectively). Also, the choice of Hello, Dolly! (starring the UK’s very own Frank Spencer-turned-musical-star Michael Crawford) was almost genius; its effect on WALL-E (and us) is surprisingly effective.
At around 100 minutes long it’s just about perfect (as opposed to the bloated Potter/Narnia epics) and it’s a real treat for both adults and kids. Hugely enjoyable!
See Radiohead End UK Tour With Spectacular Manchester Show
Radiohead ended the UK leg of their 'In Rainbows' world tour with an unforgettable performance in Manchester last night (June 29th).
The band's concert at Lancashire Country Cricket Club was watched by a sold out audience of nearly 20,000 people.
As with previous performances on the tour, the band remained loyal to their latest album 'In Rainbows' – which was originally released as a 'pay-what-you-want' download last October.
The group played eight songs from the record, in addition to a host of hits from their extensive back-catalogue.
Support yesterday came from Bat For Lashes and MGMT.
You can see a selection of pictures from yesterday's concert below or CLICK HERE to see a full round-up.
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